Tour of Flanders: the invisible trap of the single chainring

While Tadej Pogačar imposed his will with an almost disconcerting mastery, another, much more discreet subject was playing out on the pedals. A subject that is not always perceived… unless you know where to look. And that is precisely where the analysis of Anthony Colas, cyclo-cross consultant on Eurosport, takes on its full value.

By Jeff Tatard – Photos: All rights reserved

The technical choice that leaves no room for error

In this Tour of Flanders, several riders opted for a single chainring setup. Among them were Wout van Aert and Mads Pedersen.

A coherent choice in absolute terms: fewer mechanical constraints, fewer risks, a simplified reading of the effort. But on the Flemish climbs, the reality is more nuanced.

Anthony Colas (Eurosport) deciphers the subtleties of the drivetrain… those that are not always visible on screen.

The revealer: the Paterberg

The Paterberg tolerates no approximation. Short, steep, brutal, it demands a perfect reading of the gear ratio and tempo. In this type of section, the drivetrain becomes an unforgiving judge: the slightest wrong choice is immediately paid for. As Anthony Colas perfectly observed, “in the Paterberg, Pedersen was really spinning his legs… he wanted to drop one tooth. Except he dropped five at once.”
This moment says it all. What should have been a simple adjustment becomes a sharp break in rhythm. And behind this scene, Colas highlights an essential, often underestimated point: the very structure of wide cassettes like the 10-46 XPLR (10, 11, 12, 13, 15, 17, 19, 21, 24, 28, 32, 38, 46), capable of transforming a subtle intention… into a brutal mechanical imbalance.

When mechanics dictate the law

On a classic road drivetrain, the gear jumps are progressive. Each sprocket change allows for refinement, adjustment, and smoothing of the effort. But as Anthony Colas rightly points out, as soon as you switch to a wide cassette, the logic changes completely: the last gears introduce much more pronounced jumps. “At one point, you go from 24 to 21. And there… it stops you dead.” This is not just an impression. It is a mechanical reality that imposes itself on the rider and immediately translates into the pedal stroke, with a brutal break in rhythm. And for those who know how to read the race, it’s unmistakable: “This is typically the kind of thing you see on TV when you know what to look for.”
10-46 cassette: an extreme range that imposes significant gear jumps in the last sprockets… at the risk of breaking cadence.

A question of effort culture

This phenomenon goes far beyond a simple material choice. As Anthony Colas explains, a mountain biker is naturally accustomed to these gaps: they integrate these breaks, anticipate changes, and accept a certain discontinuity in cadence. Conversely, a road cyclist builds all their efficiency on precision, on this ability to finely adjust their gear ratio to maintain a stable cadence and optimize every watt. And on the Belgian climbs, this requirement becomes central: maintaining traction on irregular cobbles where the slightest loss of grip is immediately paid for, avoiding jolts that break the rhythm and disrupt the effort, and above all preserving momentum, that invisible capital that allows you to crest the summit without suffering. Here, everything comes down to the continuity of the movement, to this ability to smooth the effort where the terrain constantly tries to fracture it. “On this type of effort, the finesse in shifting up and down gears is crucial.”

A limit in an extreme context

The single chainring is not an error in itself. It offers simplicity, by lightening decision-making and eliminating a potential source of error, reliability, with fewer exposed components and therefore fewer mechanical risks, and efficiency in varied environments, where versatility and robustness take precedence over absolute precision.

But it also imposes a compromise: less precision at the moment when the effort demands the opposite.

In a classic race finale like the Tour of Flanders, these micro-details become decisive.

46-tooth single chainring: simplicity and reliability at the heart of the system… but with a compromise on gear ratio finesse.

What this reveals

As Anthony Colas points out, modern cycling is hybridizing its influences, borrowing more and more from gravel, cyclo-cross, and even mountain biking. But this evolution has its limits: not all technical solutions are universal. Some shine in specific environments… and show their flaws as soon as the context changes. And this is precisely what a race like the Tour of Flanders reminds us of: an unforgiving judge, an extreme terrain where the slightest approximation, even invisible, always ends up being paid for.

Key takeaways

  • The single chainring is gradually gaining ground, but with limitations
  • Wide cassettes create significant gear ratio gaps
  • On the Flemish climbs, cadence finesse is essential
  • A jump of several teeth can instantly break the effort
  • Adaptation also depends on the rider’s background

Ultimately, as Anthony Colas so rightly clarified, it’s not about opposing modernity and tradition, but about understanding something more subtle: suitability. The right equipment, yes… but in the right place, at the right time, in the right context. Because on the Flemish cobbles, performance is not just about raw power. It’s about continuity, about precision, about this ability to stay connected to your effort from the first to the last meter. And sometimes, the real difference is made there: never breaking the thread.

=> Road single chainring: simplicity versus versatility, reread this article 

=> Why do Wout Van Aert and Jumbo-Visma use a single chainring? The answer is here

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